導演:卡爾·西奧多·德萊葉
主演:Ib Koch-Olsen
TAG:劇情
簡介:The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. L?nborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merl?se Church. On 4 July, Dreyer went in advance to Ringk?bing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
利昂·阿諾,菲利普·阿迪提,喬·班尼斯特,馬克·本頓,保羅·查希迪,喬納森·庫提,羅莎莉·克雷格,弗拉·菲,帕齊·費倫,Polly,Findlay,Hazel,Gardner,帕特里克·戈弗雷,Nathan,Ives-Moiba,Ellie,Kirk,Gemma,Lawrence,希沃恩·麥克斯維尼,艾倫·威廉姆斯
Banin,Ahmad,Nayef,Sajad,Mohamad,Qasem,Waheed,Thabet,Khreibat,Rahim,AlHaj
詹姆斯·弗蘭科,斯科特·哈澤爾,麥克·麥克唐納德,菲利普·文切斯特,托德·博伊斯,露絲·布萊德利,阿卜杜勒·薩利斯,讓-菲利普·艾科菲,蒂姆·皮戈特-史密斯,泰勒·萊伯恩,大衛(wèi)·埃里森,讓·雷諾,奧古斯丁·勒格朗,基思·麥克利恩,馬丁·亨德森,萊斯·施拉普內爾,詹妮弗·德克,凱特·羅賓斯,克里斯汀·安霍爾特,邁克爾·吉普森,Gunnar,Winbergh,Ian,Rose,丹尼爾·里格比,Kyle,Hensher-Smith,杰克·卡魯索,拉斯科·阿特金斯,Ralf,Rueller,史蒂芬·薩姆森,Joh
斯賓塞·斯通,安東尼·薩德勒,亞歷克·斯卡拉托斯,朱迪·格雷爾,珍娜·費舍,賈里爾·懷特,托馬斯·列農,托尼·海爾,P·J·伯恩,布萊斯·吉扎爾,斯蒂芬·考特爾,羅伯特·普拉爾戈,加里·維克斯
賈法爾·杰克遜,尼婭·朗,朱利亞諾·瓦爾迪,科爾曼·多明戈,邁爾斯·特勒,凱林·多瑞爾·瓊斯,勞拉·哈里爾,杰西卡·蘇拉,麥克·梅爾斯,肯德里克·桑普森,拉倫茲·泰特,約瑟夫·戴維-瓊斯,賈馬爾·亨德森,萊恩·希爾,特雷·霍頓,朱達·愛德華茲,杰登·哈維爾,杰林·林登·亨特,納撒尼爾·羅根·麥金泰爾
